Nathan Davis News

The pioneering International Contemporary Ensemble (ICE) returns to Lincoln Center's 2019 Mostly Mozart Festival for its twelfth consecutive season with three unique programs.

In addition to theatre, dance, music, and its student matinee series, Alberta Bair Theater is presenting National Geographic Live! speakers while the theater undergoes its $12.5 million expansion and renovation during the 2019-2020 season.

Live Arts at the Morris Museum, a bold new performance series, introduces cultural climate change to Morris County's Morris Museum in historic Morristown, New Jersey. Innovative artists from around the world and around the area will dominate the season with world and regional premieres of the most interesting new work being created in music, dance and theater. Live Arts at the Morris Museum is the brainchild of the new Curatorial Director of Live Arts, Brett Wellman Messenger who comes to The Morris Museum by way of The Santa Fe Opera and Peak Performances.

Loft Ensemble in Sherman Oaks has announced its next production, William Shakespeare's Macbeth. Under the direction of Bree Pavey and Emma Latimer, opening is set for Saturday, April 20, at 8pm and the engagement will continue through Sunday, May 27 only.

Berklee College of Music has named Philip Lima as assistant chair of the Voice Department. Lima is a baritone vocalist who has garnered critical acclaim for his performances on both concert and operatic stages. He is currently serving as interim chair of the department while chair Anne Peckham is on sabbatical.

Berklee College of Music has named Philip Lima as assistant chair of the Voice Department. Lima is a baritone vocalist who has garnered critical acclaim for his performances on both concert and operatic stages. He is currently serving as interim chair of the department while chair Anne Peckham is on sabbatical.

Japan Society is proud to present Ashita no Ma-Joe: Rocky Macbeth by the Theater Company Kaimaku Pennant Race (KPR).  Director Yu Murai, founder of KPR, cleverly retells Macbeth through the 1960s mega-hit manga Ashita no Joe, centering on the rise and fall of a troubled teenager turned high-ranking professional boxer, echoing the struggles of the Scottish king in the Shakespeare classic.  Interlaced with reimaginings of famous scenes from both works, this production promises to surprise Shakespeare and manga lovers alike.  Murai uses the mythos surrounding the boxer Joe to create an innovative, playful theatrical production in which two worlds fraught with angst and ambition collide.  This production, a North American premiere, will have five performances at Japan Society (333 East 47th Street), playing May 15 - 18.

Loft Ensemble in Sherman Oaks has announced its next production, William Shakespeare's Macbeth. Under the direction of Bree Pavey and Emma Latimer, opening is set for Saturday, April 20, at 8pm and the engagement will continue through Sunday, May 27 only.

Loft Ensemble in Sherman Oaks has announced a Pay What You Want performance of James Baldwin's Blues for Mister Charlie, currently running through April 7. Half of all box office monies from the Sunday, March 31 performance (7pm curtain) will be donated to the Emmett Till Legacy Foundation (ETLF). 

Japan Society presents You Took a Part of Me, a dance production with choreography by "punk ballerina" Karole Armitage, performed by her company Armitage Gone! Dance.  You Took a Part of Me arrives at Japan Society (333 East 47th Street) for two performances only: Friday, April 12 and Saturday, April 13 at 7:30pm.

Japan Society proudly presents Cross Transit, a collaborative multimedia dance work by acclaimed Japanese choreographer/dancer Akiko Kitamura, with video, photos and narration by Cambodian visual artist Kim Hak. 

Loft Ensemble in Sherman Oaks has announced its next production, Blues for Mister Charlie by James Baldwin. Under the direction of Tor Brown, the show is set to open today, March 2, at 8pm and the engagement will continue through Sunday, April 7 only.

Loft Ensemble in Sherman Oaks has announced its next production, Blues for Mister Charlie by James Baldwin. Under the direction of Tor Brown, the show is set to open on Saturday, March 2, at 8pm and the engagement will continue through Sunday, April 7 only.

Japan Society proudly presents Cross Transit, a collaborative multimedia dance work by acclaimed Japanese choreographer/dancer Akiko Kitamura, with video, photos and narration by Cambodian visual artist Kim Hak. Cross Transit arrives at Japan Society (333 East 47th Street) for two performances only: Friday, March 22 and Saturday, March 23 at 7:30pm, as part of a North American tour, produced and organized by Japan Society, that includes stops at Towson University (North American Premiere; March 15; Asian Arts & Culture Center / Stephen Halls Theatre) and The Kennedy Center (March 19).

Flutist Claire Chase, whom The New Yorker describes as "the young star of the modern flute," continues her 23-year project, Density 2036, to commission an entirely new body of repertory for solo flute each year between 2014 and 2036, the 100th Anniversary of Edgard Varese's groundbreaking flute solo Density 21.5. On March 1 & 2, Chase continues these immersive and virtuosic performances with the premiere of part vi at The Kitchen.

Baryshnikov Arts Center (BAC) announces Spring 2019 BAC Residencies, which will provide critical support to 16 artists developing projects and collaborations across disciplines. Three public events with Resident Artists include presentations by 2018-19 Cage Cunningham Fellows Tei Blow and Silas Riener, and a day of Studio Showings by BAC Space Resident Artists at BAC (450 West 37th Street, Manhattan). Tickets and reservations are available at bacnyc.org or 866-811-4111.  

As part of its current 2018-2019 Performing Arts Season, Japan Society presents a staged reading of 100 Years Stray by Japanese playwright SaringROCK, led by New York-based director Taylor Reynolds, taking place Monday, February 4 at 7:30 PM at Japan Society (333 East 47th Street).

The International Contemporary Ensemble (ICE) and The New York Public Library for the Performing Arts continue their ongoing partnership with an OpenICE Library Festival at the Astor Gallery from November 7-9, 2018. In five free performances featuring inclusive discussions, NYPL and ICE explore collecting and archiving works of living composers.

In celebration of the 30th anniversary of Ravinia's Steans Music Institute (RSMI) last summer, Ravinia launched a competition for composers who could fuse the worlds of jazz and classical music. Due to its success, Ravinia, with the support of DownBeat magazine, is now calling for submissions to the second annual "Bridges" international jazz and classical fusion composition competition, overseen by legendary pianist Billy Childs and double-bassist Rufus Reid, who co-direct the RSMI Jazz Program. Up to three winners will receive the David Baker Prize, named in recognition of the first RSMI Jazz director. The prize includes $2,500 in cash plus the world-premiere performance of the winning piece during Ravinia's 2019 season.

On Friday, October 5 (7:30 pm) at Japan Society, shamisen virtuoso Hidejiro Honjoh joins forces with members of the renowned International Contemporary Ensemble (ICE) in 'Shamisen Evolution.' Performing solo and with members of the International Contemporary Ensemble (ICE), Hidejiro delivers world premieres by Grammy-nominee and MacArthur "Genius" Award winner Vijay Iyer, ICE's own Nathan Davis, and rising young Japanese composer Yu Kuwabara.